KYIV CHAMBER CHOIRCD: Masterpieces of Ukrainian Baroque Choral MusicThis CD represents Ukrainian sacred music of so-called Baroque-period wich is the highest achievement of Ukrainian musical heritage, reflecting revival of creative forces of the Ukrainian people at the latter half of the 17th and early 18th century. It was an age of sweeping changes in entire system of musical thought, a revamping of creative principles and a renewal of forms and genres, when sonorous polyphony began to sound next to monophonic hymnody. The Kyiv Chamber Choir starts with choral Ecclesiastical Hymns of their fellow-townsman Nikolai Diletsky, who lived more then 300 years ago. Creative work of this composer, the classic of choral polyphony, is recently opened and yet a little known for the wide audience. To him belongs the first written work about problems of the musical theory,aesthetics and composition; he is the author of Liturgy and several choral concertos. In N.Diletsky praise and worship music were embodied the major attributes of European baroque style with synthesis of power national traditions. To his compositions are typical clearness, balance between thin polyphonic ways and clear chord structure. Quadrophonic Liturgy, fragments from which are performed by Kiev chamber choir concerns to early forms of choral polyphony. The concerto for two choirs "Came into the Church " is colorful, contrast composition intended for holiday solemn festive services. Maxim Berezovsky /1745-1777/ was an unusual phenomenon who influenced on the development of musical art not only in the Ukraine. It was him who opened Ukrainian music to Europe. He was born in the small Ukrainian town Glukhovo where he gained his early musical education at the famous Tsar's Music Cappella School. In the spring of 1769, Berezovsky was dispatched to Italy to continue his training with G. B. Martini, the renowned pedagogue and composer, and the master of the counterpoint technique. Martini was actually in charge of the Bologna Philharmonic Academy, a highly-regarded institution that tutored musicians from all of Europe. The good reputation of the Academy's acclaimed graduates was mainly based on the highest scientific and pedagogical authority of its head. On 15th of May of 1771 Maxim Berezovsky became the Academician of Bologna Academy of Philarmonics. To acquire the title of an Academician in Italy, one had not only to make the three grades, but to pass a final academic test. Berezovsky's assignment was to compose a polyphonic work on a given theme in the austere manner. Several months earlier, the 14-year-old Wolfgang Mozart had fulfilled a similar task. Maxim Beresovsky was known as author of the first national opera and many traditional sonata-symphonic works though the main genre of his creativity was a cappella Christian praise and worship music. His concerto "Do Not Forsake Me" takes a special place in his creativity. The concerto has a deep philosophic sense and filled with dramatism. It is a confession of haggard composer's soul who very soon was tragically lost at age of 32 years. Dimitry Stepanovich Bortnyansky /1751-1825/ was, in his day, the most famous composer in the Russian Empire and was named the "Russian Mozart"- ironic as he was born in Glukhovo of Ukraine. He also studied in Italy where he composed several operas now lost. He made a great contribution to development of Ukrainian and Russian praise and worship music. He based his music on national traditions and European musical technique, connecting the features of the late baroque style his attributes of the early classicism. Artemy Vedel /1767-1806/ - was peculiar and colorful figure in music of 18th century. He, as anybody of his time, was closely connected to Ukrainian environment. His music is full with intonations of sacred Chants and Psalms. We may say that he "speaks" by Ukrainian musical language. But the main is that his concerts reflect the sacred world of his time. Most of his praise and worship music are lost, however those that remain have become highly popular and have great success. The Chamber Choir Kiev was founded in December of 1990. Choir members include professional singers, graduates of conservatories and musical institutes throughout Ukraine. |
![]() BUY AND DOWNLOAD KYIV CHAMBER CHOIR MUSIC ON Kyiv Chamber Choir on Youtube The music sounds with the consent of the copyright owners
SIGN UP FOR ORIGEN MUSIC NEWSLETTER
be in touch with the Artists Washington Post
reviewer Joan Reinthaler "The Kyiv chamber choir has only 20 singers, but what singers they are - big, marvelously focused voices, the kind that might easily hold their own on the opera stage but without the kind of operatic vibrato that can make an ensemble rattle.They can sing wonderfully clean unisons and the basses have low E's to die for" The Kyiv Chamber Choir was founded in 1990. Choir members include professional singers, graduates of conservatories and musical institutes throughout Ukraine. The Choir's major awards include: Golden Diploma at the First Robert Schummann Competition in Zwikkau (Germany, 1992); First Award at the Twelfth International Church Music Festival in Hajnуwka (Poland, 1993); Grand Prix at the Sixth International Choral Festival in Sligo (Ireland, 1993); Second Award at Langolen Interna-tional Musical Eisteddfod (Wales, 1994) and more. Reviews author: CD BABY They've done it again. Another stunningly gorgeous a cappella album of choral music to melt hearts of glacial ice. Focusing on the sacred music of the Ukrainian choral Baroque era, featuring the composers Berezovsky, Vedel, Diletsky, and Bortnysky, this is a truly angelic, otherworldly collection that, without a doubt, belongs in any classical music lover's collection. author: Janice Decker Why travel? This CD is so inspirational, the selections so soothing, it's almost medicinal these magical sounds of far-off lands and times long past. Positively ethereal! Read all reviews and write your own
|
![]() |
|
![]() |
BESTSELLER Praise the Lord. Russian Sacred Music of the 19-20th centuries This stunning CD of Russian Sacred music of the 18- 19th centuries is truly an example of why choral music is still being performed hundreds of years later. Revealing the deepest passions of composers such as Rachmaninoff, Tchaikovsky, Grigoryevich more, emotional performance by this award-winning choir will leave you speechless. read more and hear |
![]() |
The Golden Heritage of the Ukrainian and Russian Sacred Choral Music The historical distance between the ancient and contemporary musical texts represented on this album spans eight centuries. Still preserving Byzantine Liturgical canons the Ukrainian and Russian nations toiled, exerted and sowed its own musical style thus strengthening and perfecting its own voice in the universal choral veneration and praise of the Lord God. read more and hear |
![]() ![]() |
Masterpieces of Baroque Choral Music Stunningly gorgeous a cappella sacred choral music to melt hearts of glacial ice. Focusing on Ukrainian baroque times sacred choral music , featuring the composers such as Dimitry Stepanovich Bortnyansky, Maxim Berezovsky, Artemy Vedel, Nickolay Diletsky, this is a truly angelic, otherworldly collection that, without a doubt, belongs in any classical music lover's collection. read more and hear |
![]() |
A Thousand Years of Ukrainian Worship Music Fantastic journey with award winning Kyiv chamber choir through five dazzling musical eras: the Middle-Age, Baroque, Classicism, Romantism and Contemporary. read more and hear |
![]() |
UKRAINIAN CHRISTMAS CAROLS by Kyiv Chamber Choir Ukrainian Christmas traditions may be considered among the richest in the world. They reflect achievements of a greater than five thousand year old culture, impressive in the musical and contextual diversity of its songs, and in the number of its carols and epiphany carols, a number that is impossible to ascertain. In every Ukrainian village tens or hundreds of original Christmas songs arose, inasmuch as all of Ukraine sang incessantly throughout the festivities from Christmas through to the Epiphany (from the evening of the 6th to the 19th of January, by the new calendar). read more and hear |
![]() |
ARCHBISHOP IONAFAN- LITURGY OF PEACE The Bridge between Western and Eastern Liturgical Traditions Greek Divine Liturgy is dressed by the author in the melodies of Gregorian chorals with minimal adaptation. That way, after 1000 years old alienation of Church culture the "Liturgy of Peace” creates the meeting of western and eastern liturgical traditions.. read and hear |
![]() |
Yakiv Yatsynevych. "Liturgy of St.John Chrysostom" Return from oblivion: This first recording of Yatsynevych’s Liturgy reveals the genius of the composer whose name and talent have been forgotten shortly after revolution in 1917 in Russia. Notwithstanding, the short period of time that detaches us from Yatsynevych, the composer’s legacy hitherto has not yet been fully unearthed – and yet life is full of abundant secrets. read more and hear |
![]() |
Sergey Rachmaninov- The All Night Vigil (op.37) In the vast space of Rachmaninov’s music there are some preserved corners. One of which is his worship music. For a long time kept silent but not forgotten the hymns of the All-Night Vigil does not stop to amaze everyone. The Vespers have been praised as Rachmaninoff's finest achievement It was one of his two favorite compositions and the composer requested that one of its movements be sung at his funeral. When in 1915 Rachmaninoff had turned to the church music, he was living through a hard period of his life... read more and hear |
![]() |
UKRAINIAN LITURGY |
![]() |
Evgeny Stankovych "Liturgy of St.John Chrysostom" |