MEDIEVAL VOCAL MUSIC. ARMENIAN CHURCH MUSIC


medieval charch choir music
The Three Holies Church Choir

They broght to life early Byzantine, Georgia, Bulgarian and Old Rus church Medieval music. Rare, hard to find vocal Medieval Music
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Christian worship songs
Ensemble "Sretenye"

Sretenye broght to life rare Byzantine, Georgia, Bulgarian and Old Rus sacred choral music of the VIII-XV centuries.
(here they sing Ave Maria in Greece)

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PEREGRINE MEDIEVAL MUSIC VOCAL ENSEMBLE
Church Medieval music
Night Chants
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The Matins service was the most extensive of medieval liturgical forms: lengthy, extravagant, a complete experience—all taking place in the early morning before sunrise. Matins carried forward the tradition of night vigils begun in the early church in recollection of waiting at the tomb through the night before Easter. Monastic liturgical enthusiasm extended the vigil to every night of the year; each service entailed an hour or more of chanting and spiritual readings. For more important feasts (such as the feast of All Saints, which we sing here) the service could go on for hours. With its musical richness and unhurried pace, the chant unfolds gently in the pre-dawn stillness.
In 2003 Peregrine prepared and sang a complete Gregorian chant Matins service for All Saints at our St. Mark’s Cathedral home in Seattle. Bowing to the contingencies of modern life, we started the service at 5am (a bit late), and were delighted to be joined by about 30 stalwart and bundled-up audience members who stuck with us for nearly three hours. We loved the colorful and diverse chant settings so much that making a recording (albeit in abbreviated form!) seemed inevitable.
Our service is a hybrid, drawing on chants traditionally associated with the Feast of All Saints on November 1, but also those from feasts for specific categories of saints (martyrs, virgins, doctors of the church, and so on) celebrated on various occasions throughout the year.
Matins chants are grouped into “nocturnes,” each of which includes a group of chanted Psalms followed by a series of readings and responsory chants. For this recording we have represented the readings, so central to the rhythms of the Matins service, with evocative “tone poem” compositions and improvisations by the wonderful harpist Cheryl Ann Fulton.
Peregrine was founded in 1993 by Joseph Anderson and Bill McJohn. The group is an Artist-in-Residence ensemble at St. Mark’s Cathedral in Seattle and is also affiliated with the Center for Sacred Art. This is the group’s second CD.
Peregrine explores the Gregorian chant repertoire from liturgical, historical, interfaith, and contemplative perspectives, and has presented chant in educational settings, church services, multifaith gatherings, and meditation events.
Our approach to chant is to discover the flexibility, vitality, and integrity of the melodic line. This emerges organically from our interaction with the possibilities suggested by the music. We offer Gregorian chant as a place of rest and grounding within today’s wildly diverse, dynamic, and loud musical culture. Though our music is certainly on the austere end of the spectrum, we see ourselves as part of that culture, enlivened by it, contributing to it, but certainly not divorced from it. Perhaps we are an “anti-beat” that helps provide a useful contrast to the insistent pulse provided by many of our contemporaries.

more church Medieval music
Armenian Church Music of the 5th- 13th centuries
Ensebmle of Early and Medieval Music "taragan"
Early church music
Listen CD
BYU CD

After his descent from Ararat, Noah first stepped on the land which over centuries became the first Christian country. Christianity has been the Armenian state religion since 301 AD, 79 years before it became the official religion of the Roman Empire.
The earliest known examples of Armenian church music are dated in the 5th century and credited to St. Mesrob, an inventor of the Armenian alphabet, and Movses Khorenatsi, a historian. The roots of Armenian Church music lay in Jewish biblical tunes, Zoroastrian ritual melodies and pre-Christian folk songs. Armenian church music is the most ancient among Christian musical cultures.
The most popular genre of Armenian sacred church music was the sharagan, a canonical hymn. Eventually, these hymns were compiled in the sharagnots or "book of sharagan", and were canonized by assigning specific sharagans to particular days in the church calendar.
Traditional Armenian music is distinctive not only in its melodies, but also in structure, which differs from the Western forms. Armenian church music is monophonic, consisting of a single melodic line without support of harmony. It is traditionally chanted by men alone, without accompaniment by musical instruments. The hymns are built on melody-modes, which is different from the major and minor scales of the Western music



Medieval music