 Ancient church music of Bizantine, Geoegia and Rus by Ensemble Sretenye Sretenye broght to life rare Byzantine, Georgia, Bulgarian and Old Rus church choir music of the 8-15th centuries. This CD is the winner of 2004 JPF Music Award (USA) What people say about this CD: On this cd, the singing is good and the sound is fantastic, straight from heaven! Right now this is the most amazing music I have ever heard. read more and hear |
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 AVE MARIA by ORIGEN Can you imagine how Schubert, Bach, Beethoven, Caccini or Pachelbel would have sounded if they live now? If not, Origen's delicate and elegant rendition of their music and fantastic voice of award-winning opera soprano Tanya will help you. learn more and hear download mp3 |
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CD: UKRAINIAN DIVINE LITURGY |
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The beginning and the first proclamation “Litany of Peace” by Mykola Leontovych (1877- 1921)- recreates the individuality of ancient church singing.
One of the most popular and contemporary Ukrainian worship is the anthiphon “Bless the Lord, O my Soul” by Kyrylo Stetsenko (1882- 1922). It seems that the composer in this first great Liturgical choral response aspired to concentrate the most essential features of the Ukrainian spirit. Herein, we hear the eminently deep and sincere gratitude’s for the many and the magnificence of our Gogly-inspired exultations.
A misunderstood warmth fills the singing of The Only Begotten Son by Mykola Diletsky (1630?-1690?). Sculptured and embodied here is the charm of Ukrainian music of the baroque era.
In Thy Kingdom by M.Leontovych (1877- 1921) with all its might reveals the very ancient foundations and origin of choral church song. After being filled with sincere hope and humbleness of the primary supplications we hear the vocal and singing resonance and delights of mounted text from sermons.
The psalmody traditions of early choral baroque era are represented in the moving “Come Let us Worship”. M.Fedorov’s Sunday Troparion which deeply and full bloodely wires the sounds and traditions of male monastic singing that was cultivated in Ukraine for many centuries.
All aspects and sights of song – psalmody reading, multi-voice imitations, morality and delightful singing have been accepted into the Ukrainian Church and are united in “O Holy God – The Trisagion Hymn” by Maxim Berezovsky (1745-1777).
Then after the Epistle reading we hear the uniquely exclusive and festivly elevated sounds of the “Alleluia” of Olexsandr Koshytz (1875-1944).
“Litany of Fervent Supplication” by M.Leontovych slowly creates a great zone of stability yet deepening the concentration of prayer. This change is felt from the first sounds of “Herubic Hymn” of M.Berezovsky.
The triumph of faith is conveyed in the “Creed” of M.Leontovych. A bass soloist proclaims one of the main Christian prayers. The low voice and timber of mail voice best conveys fundamental feelings and strength of faith.
Following this vibrates “A Marcy of Peace. We Hymn Thee” by Mychailo Verbytskyi (1815-1870) and “It is Meet and Right” by Dimity Bortnyansky (1751-1825) – Ukraine’s greatest exponent of its “golden age” of church music.
More information about CD: Ukrainian divine liturgy by Kyiv Chamber choir available on 28 pages CD booklet in English, German, France and Ukrainian.
More music by Kyiv Chamber Choir
UKRAINIAN DIVINE LITURGY