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CHAPTER 4 :
How to record in your home studio

Acoustic Guitar
Electric Guitar
Bass Guitar
Piano
Brass & Reed Instruments
Vocals
Drum Kit

Bass Guitar

When you’re recording an electric bass guitar,
blending a direct injection (DI) line recording with
a mic’d cabinet is the safest way to make sure
you’re going to get the tone you’re looking for.
Somewhere in the blend of those tracks, you’ll
find the tone you need for each song.
The style of music can certainly dictate the
kinds of mics you’re going to choose and how far the mic’s going to be away from the cabinet. But, it’s always safe to have the DI. There’s more unaltered information coming from the DI, and you’re getting the fastest transients you can imagine. I tend to concentrate on the attack of the bass sound with the DI, and the roundness and the body of the bass I pull out of the microphone. The mic’d amp can give you a lot of that middle and low end tone that you’re not going to get out of a DI.

Just like guitar, the majority of the mics used on
a bass or guitar cabinet are dynamic mics. There are some situations where you might put a condenser mic on a bass cabinet — the Beatles, for instance, often used a Telefunken U47 condenser on the cabinet. But more common will be something like the AKG D12, which features a larger diaphragm designed to pick up bass frequencies.

For a punchier tone get closer to the amp with
your micyou might go with a mic six inches off the cone. If you’re trying to get that low frequency of the bass, you might want to pull that mic back a few feet. In order to hear a low E on the bass correctly, you need to be about 30 feet away.





VOCAL TUNING AND PITCH CORRECTION
All singers know that usually vocal studio recording has pitch issues. However, vocal pitch correction will help fix flat or sharp notes and clean up your vocals.

Click here if you feel you have some problems with your vocal tracks

HOW TO MAKE HOME
RECORDING STUDIO

TABLE OF CONTENTS

CHAPTER 1

Acoustics & Your Home studio
Four Questions
Controlling the Acoustics
Room Arrangement
Early Reflection Points
50 Percent Rule
Bass Traps

CHAPTER 2

Getting Started
Focus on Your Instrument
Experiment
Keep it Simple
Get it Hot, Hot, Hot
Target Your Frequency
Gain Staging
Limit Compression & EQ When Recording
Avoid Phase Cancellation

CHAPTER 3

Recording tips from the Pros
Move Around the Room
Angle Your Amp
Play with Mic Placement & Angles
Get the Air Moving
Focus the Energy
Multiple Mics
Re-amping.




CHAPTER 4

How to record in your home studio
Acoustic Guitar
Electric Guitar
Bass Guitar
Piano
Brass & Reed Instruments
Vocals
Drum Kit

CHAPTER 5

The Home Studio Microphone Guide
Types of Mics
Pickup Patterns.
30 Mic Picks for the Home Studio

CHAPTER 6

Cables
Preamp
Monitors
Headphones

CHAPTER 7

Using Processors & Effects Compressor
Limiter
Noise Gate
EQ
Reverb
Delay

CHAPTER 8

The Mixing Process
Room & Monitors
Stereo Field
Volume Control
Tightening Up the Performance
Breadth
Busing
Ear Fatigue
Mastering




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HOW TO MAKE HOME RECORDING STUDIO